On St. Patricks Day – I Wish I Were Flying Hawks in Ireland and Visiting Hedgehog Fibres

When planning our 4th trip to Ireland, the thing we most wanted to do was fly hawks. We had read Helen Macdonald’s astonishingly moving book about training and flying a goshawk, one of the most challenging of the raptors. It helped her grieve the death of her beloved father. The Financial Times calls H is for Hawk “… a dazzling piece of work: deeply affecting, utterly fascinating and blazing with love and intelligence” in their excellent review

I had recently lost people myself, my mother, my brother, a good friend, and the suffering that Macdonald so eloquently and painfully wrote about spoke to me. She learned about loss, death, and herself while training Mabel, her goshawk.  For me, flying a hawk seemed like a small way to touch what Macdonald learned and have a rare opportunity to look wildness in the eye.

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7 Reasons to Love Wooden Knitter’s Tools

ChiaoGoo Yarn Swift knitting

I love wooden knitters’ tools. I suppose it makes perfect sense that someone with a site called Knits From the Woodlot should be as enamoured of wooden tools as I am. The photo above shows my newest acquisition, a wooden swift from ChiaoGoo. It has the qualities that I value in knitting tools – graceful lines, touchable surface, quiet and smooth working order, functional.

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What’s Rayon? What’s Wrong With It?

I teach a class about fibres, all kinds of fibres – what’s good about each of them for us as fibre folk – and what isn’t. Here’s something I just learned about rayon. The production of rayon and viscose fibre for the fashion industry is responsible for the destruction of 120 million trees annually, an increase of 70% over 5 years ago. So much for thinking that a renewable resource, fibre from cellulose, was a good thing.

The issue of deforestation is particularly acute in Indonesia and in the redwood forests of Canada and the United States, where old-growth forests are logged for wood pulp used for fabric.

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ClothRoads – Fibres, Textiles, and Empowerment of Women

If you are interested in fibres, textiles, and the empowerment of women, you may be as fascinated with ClothRoads as I am.

Three women steeped in fibre, textiles, and design began ClothRoads, a company that curates indigenous artisan textiles and supplies from around the world, while promoting cultural and creative sustainability. Hand spun, handmade, hand weaving are all offered there. Notice a theme?

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Lessons Learned From a Decades Old Aran Sweater

 

Decades ago I designed and made an Aran sweater. I was very proud of it, and still am, but I will make changes to the next one based on how my taste has evolved and on what I’ve learned about knitting and design. Such an interesting exercise to take a hard look at this garment. Try it yourself with a  project from the past. See what you know now that you didn’t know then.

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How are knitters like the quaking aspens?

On the way home from a knit night, I listened to a fascinating podcast, The Philosopher’s Walk with Frédéric Bouchard that for me connected knitting, biology, and philosophy. Bouchard is a philosopher of science and biology at l’Université de Montréal. He walked through a city market, like Aristotle did with his students, asking questions – what exactly is an individual? Does our consciousness make us superior to other species? Or merely different?

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Redefining Pussy, Pink, and the Power of Handmade

 

An extraordinary event, the Pussy March, took place worldwide the day after the US inauguration. Women knitted pink hats by the thousands, for themselves and others, and marched in solidarity for the rights of all women. The creations for the event were not just pussyhats but also Quiet, a song performed by women who astonishingly met and rehearsed on-line. It’s become the unofficial anthem of the march. See it performed here and be moved, perhaps to tears like I was.

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5 Things I Love and Hate About Knit Designs

After 20 years of knitting and  reading thousands of patterns, I have strong feelings about knit designs. The words love and hate express those feelings, although I thought I merely had biases before giving it more thought. Bias is just not a strong enough word. Hate might be too strong, so I’ll call them deep aversions.

When I look at any design, I check out five major issues. Do elements that show on both right and wrong sides look good on both? Are selvedges nicely planned so they are useful for seaming or, if left unfinished, are attractive? Is a too-simple ribbing used  on hems, cuffs, and button bands? Do shoulders fit the model’s body well, without extra fabric under the arm? Are cables and texture stitches mirrored?

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